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THE COLOR PURPLE - SPECIAL SCREENING - BLACK HISTORY MONTH

January 21, 2019 Guest User
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Film Society KC and the Alamo Drafthouse Kansas City celebrate Black History Month with the landmark and controversial adaption of Alice Walker's novel, THE COLOR PURPLE. See the Steven-Spielberg directed film in its theatrical presentation. Reserve your ticket by visiting this link.

ABOUT THE FILM
After Alice Walker's 1982 novel THE COLOR PURPLE won both the National Book Award for fiction and the Pulitzer Prize for fiction, it was all but certain it would be brought to the screen. Even so, many were startled when Steven Spielberg was announced as the director.

At this point in his career, Spielberg was best known for JAWS, CLOSE ENCOUNTERS OF THE THIRD KIND, RAIDERS OF THE LOST ARK and E.T. THE EXTRATERRESTRIAL. Walker's story of growing up in the early 20th-century South, with its themes of domestic violence, broken families, racism and sexual self-realization, hardly seemed suited to the director's style. When the film was released in late 1985, it divided the critics, with some hailing it as a masterpiece and others condemning Spielberg for watering down or soft-pedaling the tougher themes of Walker's work (particularly its abused heroine finding solace in a lesbian relationship). "Mr. Spielberg has looked on the sunny side of Miss Walker's novel, fashioning a grand, multi-hanky entertainment that is as pretty and lavish as the book is plain," griped Janet Maslin of The New York Times. "If the book is set in the harsh, impoverished atmosphere of rural Georgia, the movie unfolds in a cozy, comfortable, flower-filled wonderland." Roger Ebert of The Chicago Sun Times disagreed, hailing it as "the year's best film."

The movie was nominated for 11 Academy Awards, but lost in every category. However, it was a major success with moviegoers, who were enthralled by then-newcomer Whoopi Goldberg's portrayal of Celie, a young woman who finds her own identity and purpose in life after years of suffering at the hostile hands of a husband (Danny Glover) who treats her like a servant. The movie also brought attention to Oprah Winfrey, who was cast as the defiant Sofia. In 1985 Winfrey was still something of an unknown outside of Chicago and had yet to launch her talk show on a national scale. Goldberg and Winfrey were both Oscar-nominated, as was Margaret Avery, playing the saucy singer who helps Celie discover her inner strength.

Curiously, while Spielberg won the Directors Guild of America award, he was not nominated for an Academy Award. But the popularity of THE COLOR PURPLE prompted Spielberg to continue to broaden his horizons as a filmmaker: SCHINDLER'S LIST and SAVING PRIVATE RYAN -- both of which would bring him best director Oscars -- were not far away. (James Sanford)

Tags film, screening, alamo drafthouse, classic film, steven spielberg, whoopi goldberg, oprah winfrey, danny glover
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GONE WITH THE WIND 80th Anniversary Screening at Alamo Drafthouse KC

January 4, 2019 Guest User
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Film Society KC members and film fans! Alamo Drafthouse Kansas City is holding a special 80th Anniversary screening of GONE WITH THE WIND!

There are 10 FREE tickets reserved for Film Society KC members and fans! Reserve your ticket today as seating is limited and tickets are provided on a first-come-first-serve basis. Claim your tickets by visiting this link.

If you haven't signed up for a Film Society KC membership, now’s the perfect time! Visit our Membership Page and join today! 

ABOUT THE FILM
Based on Margaret Mitchell's bestseller, GONE WITH THE WIND was the most talked-about movie of its era. A sweeping epic on the grandest of scales, it quickly became both a blockbuster (it held the title of highest grossing film ever for 27 years) and an Oscar magnet, winning eight Academy Awards and two honorary awards, a record in its day. The combustible passion between Scarlett O'Hara (Vivien Leigh) and Rhett Butler (Clark Gable) was hotter than the flames of Atlanta and defined cinematic romance for generations to come. Its impact on American culture was enormous and enduring.

But even when it premiered, GONE WITH THE WIND attracted controversy, with some critics condemning its celebration of the Old South and its depictions of African-American characters. Walter Francis White, executive secretary for the National Association for the Advancement of Colored People, tried to shame actress Hattie McDaniel when she collected the Academy Award for Best Supporting Actress for her portrayal of Mammy. McDaniel, noting that her own grandmother had worked on a Tara-style plantation, famously responded, "I would rather make $700 a week playing a maid than being one." The NAACP also conferred with producer David O. Selznick to modify certain scenes and remove racially charged language. Even so, the film drew protesters in many cities.

How should we view GONE WITH THE WIND on its 80th anniversary? Can we appreciate it as a legendary and beloved movie while acknowledging its sometimes problematic themes and attitudes? What does its enduring popularity say about us? How has its rosy view of plantation life, slavery, and the pre-Civil War South affected the public perception of that culture? These are topics worth thinking about. 

Tags film society, alamo drafthouse, film, classic, anniversary, gone with the wind, Clark Gable, vivien leigh, hattie mcdaniel
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